On the street of Italy, the country where Carlo Collodi's Pinocchio was born in 1883, I staged myself a sculptor - the  creator, and a puppet - the creation, rather as a female. The performance was implemented without a fixed agenda that I was lively interacting within the space, the Florentine environment, and even the camera which includes the viewers' eyes. Unstable yet tenacious, 'Pinocchia ' rises and absorbs the city with curiosity. 

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