On the street of Italy, the country where Carlo Collodi's  pinocchio  was born in 1883, I staged myself a sculptor - the   creator,  and a puppet - the creation, rather as a female.  The performance was implemented without a fixed agenda that I was lively interacting within the space,  the Florentine environment, and even the camera which includes  the viewers' eyes. Unstable yet tenacious,  'Pinocchia' rises and absorbs the city with curiosity.  

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