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While  'drawing' commonly means a production (result) of mark-making, its ontological value  much  resides in the act of creation, in which the drawing  occurs by an artist's creative force of pulling and pushing materials and concepts.

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Holding and releasing tension, my hand is at ease rendering marks, as satisfactions come from fulfilling accuracy and  excitements happen on the  encounter with  undefined gestures. In-between agenda and accident, I let my body flow in  harmony of  control and surrender.