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5 min 48 sec film, <1+1=  > counteracts our society's absolute value grading system. Generically, when we measure values, we must use the rule where 1 + 1 = 2. Metaphysically, however, in natural phenomena, such as in light and water, 1  +  One  =  One   or something immeasurable. The film visualizes this naturalistic flow of matter that is ephemeral yet infinite and intergalactic  in both macro- and micro-perspective.

Furthermore, <1+1= > challenges the gender stereotype in Action Painting/Gestural Expressionism. Since the advent of Jackson Pollock, pour-art has been easily associated with a particular muscularity, even with eroticism. Instead of visually substituting my female identity for the male domain, I removed the  artist's direct hand to neutralize the very act of creating abstract paintings.

Finally, <1+1 =   > asserts that it is never one way or another; it's about trying to harmonize forever,  as  in the film the white drips constantly float and merge together like the star-dusts in the space. 

US titled "Constructed Fiction"  As a group show at Washington St. Louis University  Exhibited <1+1=  > is  already in society  constructed fictional  This is an installation video showing the nature of nature that goes against the rating system. material  society 1  plus 1 equals 2  numerical  It favors the system that seeks answers in the dimension. However, light or liquid  metaphysical  If we look at natural phenomena, 1  plus 1 equals 1,  2,  Sometimes it can be 3. The work is black and white, symbolizing light and shadow, existence and non-existence.  imperfect and momentary  beautiful and infinite  Expressing the laws of nature with paint. double in dark space  on the wall  Installed video to the audience  It gives the illusion that you are watching a scene of snow falling or shooting stars.  

Further, <1+1 =  > After the appearance of Jackson Pollock (Jackson Pollock),  Action painting painted by sprinkling paint on canvas and the resulting  abstract paintings  It seeks to neutralize the historical, social, class, and sexual viewpoints of white male art. the author  as momentum  The paint continues to move,  Refraining from direct participation  It is more about the artist's existence and the act of creating rather than the artist's personality.  give meaning  

Ultimately <1+1 =  > is  One  By yielding the answer to the most basic math problem, plus 1, to the audience,  not sheep  vaginal  value for  makes you think Work  Inside, big and small paints are like snowflakes  As if constantly gathering and scattering, the same  because of the nature  eternally  The artist believes that there are certainly humans in the natural order of combining and decomposing. 

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' 1+1 =   '

5 min 48 sec,  film,  2017

Exhibited in  the exhibition “Constructed Fiction”

At the Weitman Gallery in Washington University in St. Louis  

 

 

<1 + 1 =  >, Video Installation, 16 x 16 x 8.5 ft, 2017

"Ultimately, <1+1 =   > asserts that it is never one way or another; it's about trying to harmonize forever, as in the film the white drips constantly float and merge together like the star-dusts in the space.  "

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